STAGEStheatre Stages Two Comedies
Sarah Ruhl's Dead Man's Cell Phone and David and Amy Sedaris' The Book of Liz feel as different as lobster bisque does from a breakfast burrito. The first is a time-, space- and form-bending comedy with poignant, poetic accents, while the latter is a gleefully light, snarky comedy dealing mostly with cheeseballs. Yet both shows, …

