Emo: It's Really Just Rock and Roll

So last night a discussion was sparked over the term 'emo', and how to properly define the music that falls into this category. The conversation didn't really lead anywhere so it left me with an idea to do some research on when and where the term originated, what bands consider themselves emo and why, and anything else I come across that is associated with this word. 

First was a google image search to determine how the world's biggest search engine feels about this topic. This was the first image that came up. 

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Next I turned to urban dictionary to find out some of the most popular definitions. This is the first one: 

[emo] Genre of softcore punk music
that integrates unenthusiastic melodramatic 17 year olds who dont
smile, high pitched overwrought lyrics and inaudible guitar rifts with
tight wool sweaters, tighter jeans, itchy scarfs (even in the summer),
ripped chucks with favorite bands signature, black square rimmed
glasses, and ebony greasy unwashed hair that is required to cover at
least 3/5 ths of the face at an angle.

Amazingly
this definition seems to describe the picture perfectly (see: no smiles,
17-year-olds, ebony greasy unwashed hair required to cover 3/5 of the
face at an angle). I swear this was completely coincidental. On to the
next definition, which was edited for length.
[emo] An entire subculture of people (usually angsty teens) with a fake personality. The concept of emo is actually a vicious cycle that never ends, to the utter failing of humanity, and it goes something like this: 

1. Girls say they like “sensitive guys” (lie) 
2.
Guy finds out, so he listens to faggy emo music and dresses like a dork
so chicks will see that he is sensitive and not afraid to express
himself (lie). He dyes his hair black, wraps himself in a stupid
looking scarf, develops an eating disorder, and rants about how “nobody
understands”. 
3. Now an emo guy, he meets emo chick and they start
dating, talking about how their well-off suburban lifestyles are
terrible and depressing (lie) 
4. Emo guy is just too much of a
pussy. His penis is too small, he's too depressed to bathe, and has
more mood swings than emo chick, and he doesn't even have a menstrual
cycle. Emo chick dumps him, saying “It's not you, it's me.” (lie) as
she drives off with Wayne, the school jock and captain of the football
team. 
5. Emo guy goes home and cries, proceeds to write a weak song
and strum a single string on his acoustic guitar. Another emo chick
sees how he is so in touch with his feelings, and the cycle continues. 

This
is a little harsh, but the most striking thing about this definition is
the lack of any real reference to music. There are a few mentions of
acoustic guitars and “faggy emo music,” but overall this is more about
a type of person, or a complete concept, rather than a genre of music.
I'm more confused than when I started. How 'bout a history lesson?
The general consensus is that emo music emerged from the punk/hardcore/grunge rock scene of the early 90's. Bands like Soundgarden and Nirvana were providing listeners songs laden with anger, frustration, hopes, and fears. As the grunge scene faded out, Sunny Day Real Estate, Mineral, and Texas Is The Reason gained
popularity, and it was around that time people began referring to their
music as emo. The key difference in sound was a shift from angst ridden
lyrics to more heartfelt songs. 
From the mid
90's, the sound continued to evolve, but the type of music recognized
as emo today is a far cry from what SDRE first put out. Which makes you
wonder what the process is for determining if a band can be labeled as
emo. I don't know of any band that has defined themselves as emo and it
seems as though they are slapped with the label by people who have
nothing better to do than attempt to lump their music together in a
category that can't possibly encompass all its facets.
There appears to be a dichotomy of sorts, between musicians and critics. 
Guitarist Thomas Lloyd of Northvia wrote an article entitled, The Origin of Emo, which details  the history of emo. Lloyd confirms the clash between musicians and the labelers.
“No
true musician wants to be labeled or put in a box and that is why few
bands want the “emo” stereotype. The fact is that the underground/indie
scene evolves with itself, even within different genres, labels, and
subcultures.” 
Bands don't want to be defined,
but we keep inventing new genres like hardcore, post-hardcore, punk,
pop punk, emo-core and so on. For further evidence of this dichotomy,
take a look at this excerpt from an interview with Long Since Forgotten frontman Josh Coy in 2004.
A
lot of people call your band emo; do you consider yourself an emo band?
What do you think of the emo hardcore scene of nowadays? 

I
consider Long Since Forgotten just a rock band. I am sure there are
lots of young musicians out there who sit down and think to themselves
“I am going to write an 'emo' song today” and draw inspiration from
their musical heroes. When we were young and just starting to write
songs together, I just wanted to write songs that sounded like U2, The
Foo Fighters or Smashing Pumpkins. To be honest I can't really recall
when or why we started to be labelled as “emo” but I guess if it helps
someone identify somehow then there's no harm in it. The first bands I
heard that were called emo were bands like Sunny Day Real Estate and
Roadside Monument. I don't think we sound much like those bands
although they are a couple of my favorites. We just like to play rock
and roll.

I
had a similar conversation in 2005 with Jamison Covington, the lead
singer of duo JamisonParker, after a show in Philadelphia. I
asked what category he would put their music in. The word emo never
even came up, and I know many people would put them there. Basically,
Jamison Covington's response was that they try to make music that
inspires people and in the end it's just rock and roll.
Overall,
it seems as though emo has really evolved to describe a group of
people, rather than a type of music. People have strayed far from the
roots of emo and artists don't even want to be associated with it
anymore. I'm not sure why we need all these sub genres of rock &
roll anyway. It's music, and at its very core music is meant to unite
people, not create violence or a world where people are at odds because they prefer acoustic guitar over electric. 

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