OC Hit Factory Opens Its Studio to Aspiring Rappers, Producers and Soul Singersby Nate JacksonPosted on February 21, 2017
Eric VonHerzen’s Harmonica Bridges the Gap Between Blues and Punk Rockby Nate JacksonPosted on February 15, 2017
Figuring Out Observatory’s When We Were Young “Tiered” Tickets Systemby Nate JacksonPosted on February 14, 2017
Lady Killer Keyboardist Steve Maggiora Finds His Own Groove as a Solo Artistby Nate JacksonPosted on February 14, 2017
Morrissey to Headline the Observatory’s When We Were Young Festby Nate JacksonPosted on February 7, 2017
TSOL’s New Album Is Inspired By Ghosts—In More Ways Than Oneby Nate JacksonPosted on February 1, 2017
Louie Cruz Beltran Is a Master of Making Worlds Collide With His Congasby Nate JacksonPosted on January 27, 2017
Here’s Why the New House of Blues Anaheim Will Be Better Than the Old Oneby Nate JacksonPosted on January 26, 2017
Chad Bishop Proves There’s Still a Place For Smooth R&B in LBCby Nate JacksonPosted on January 23, 2017