Five Ways To Identify a Bullshit Food Writer
I read a lot of food writing. A lot of it--in fact, at least 80 percent of my RSS feed is food--and I'm getting tired. I'm tired of having to sit there and mentally analyze every article I write for the signs of bullshit food writing, because the signal-to-noise ratio of food writing is headed straight down the pan.
If it's not some opportunist pretending to be excited by something he got for free, it's some jumped-up Yelper who casually informs the server that she'll be reviewing their food tonight for [insert name of blog] here. That's not counting the legions of people who have absolutely no idea what they're talking about.
There are many, many honest food writers, and I read them and appreciate them; there are even more honest professional food writers, perhaps because there are more eyes on their work. Sadly, unless you read everything with a questioning eye, you're going to have a bad time; you'll end up in some hyped restaurant saying, "What the hell happened here?"
While we're at it, a quick statement of the rules of ethics imparted by our Mexican-in-Chief:
1. We buy the things we review; free stuff we receive at the office is distributed to non-food people first, mostly because none the food writers are on staff and therefore are never there anyway. We turn in receipts every month.
2. Reviews are always done anonymously, which is why only one or two people have ever identified Edwin Goei. (Pro tip: he looks exactly like Gustavo Arellano.)
3. Anyone who ever dared trade on the OC Weekly name to get a free meal would be laughed out of the office, penniless and humiliated.
4. If your food sucks, we're going to say so. None of us have ever met the advertising people; there's a literal as well as a figurative wall between the editorial department and the advertising department.
Now, without further ado...
1. They only review free products.
If you receive something for free and you write a positive article about it without admitting it was sent to you, you are a bullshit food writer.
It's amazing how many food writers do this. Every food writer receives free things from time to time, but it's truly amazing that these "reviews" are universally positive. What are the chances? The worst offenders are the ones whose writing is just one continuous string of PR blow jobs. When I see the rare case of someone receiving a free product and then outlining both its pros and its cons, I applaud.
2. They identify themselves ahead of time.
"Hi, my name is Eric and I'll be your waiter tonight."
"Hi, my name is Fulano, from the celebrated blog Fulano's Bullshit Restaurant Reviews. I'll be reviewing your food tonight."
If you tell the restaurant ahead of time--if, God forbid, you tell them when you make the reservation that you'll be dining in review of the restaurant, you are a bullshit food writer.
It doesn't matter whether you admit that you identify yourself ahead of time; within a few months, it'll be known. The food writing world is very small in many ways; "he self-identifies" is the kiss of death for a reviewer's credibility. How many people trust the word of the Yelp "Elite", who go around having parties at restaurants who want positive Yelp reviews?
Ruth Reichl's famous "raspberry" review of Le Cirque in 1993 in The New York Times illustrates the problem with this: when the kitchen knows who you are and why you're there, they elevate your dining experience above what your average dining patron would receive--and if they're smart, they make sure the people around you are having a good time. This is why I hate media previews--they have nothing to do with the restaurant's operations after opening and everything to do with making sure the staff knows who's writing about them.Next Page
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