The Crate Kings site is a national treasure. Scratch that: it's an intergalactic treasure. Somebody (or a team of individuals perhaps) with a lot of time on his hands and the kind of obsessiveness I admire almost more than anything else in the world encoded to MP3 snippets of 300 breakbeats that form the foundation of hip-hop. Hello, Mr. Nobel? I would like to nominate the cat(s) behind this Herculean project for one of your medals. Please look into it.
Scrutinize the names here and you'll see
In a strange way, it is perhaps somewhat fitting that James Brown and Gerald Ford died within a day of each other, since Brown and Ford had a unique bond. As Brian Koller notes in his ePinions review of the James Brown compilation CD Disc Four: Godfather of Soul (1972-1984), "James Brown was probably the only person who thought that Gerald Ford was funky."
Koller is referring to Brown's 1974 hit, "Funky President (People It's Bad)".
People people, we gotta get over before we go under
Hey cou
Fighting your way into the center of the pit at a Mars Volta show is no easy task. Hoards of O.C. hipsters and prog-rock junkies found that out the hard way as the L.A.-based eight piece thrashed and howled on a stage erected atop a basketball court (of all places) at the UCI Bren Events Center on Wednesday night.
The energy in the crowd and in the stands was primed for an explosive two and half hours as every inch of the indoor stadium was quickly over run with clamoring shouts, fidgety clust
Afrika Bambaataa—pioneering hip-hop DJ and founder of the Zulu Nation—will perform (in DJing mode) at Detroit Bar on Friday Feb. 22. The only man to collaborate with James Brown ("Unity") and John Lydon ("World Destruction" as Time Zone), Bambaataa is revered for his eclectic DJ sets and for exerting a positive force in the Bronx's rougher enclaves in the '70s and '80s after giving up his status as leader of the Black Spades gang. Oh, and he also helped to popularize electro by co-writing "
DJ Frane: very decks-toe-rous.
I thought I might've been pouring it on too thick with this Heard Mentality post, but it turns out I wasn't effusive enough. Last night at the Continental Room's Behind the Red Curtain event, DJ Frane put on a master class of funk and turntablism (a panoply of scratches that was tight and acrobatic, including the soleful toescratch) that had jaws tattooing the dance floor as often as feet.
Frane's selections combined the obscure (uh, I'm having trouble identify
Death Row Records--co-founded by Dr. Dre and Suge Knight in 1991--was, of course, incredibly influential in the world of west coast rap in the early '90s. And incredibly controversial.But not everything released on the label was quite as provocative as say, "Deep Cover." There was also 1996's Christmas on Death Row album, which boasted songs like opener "Santa Claus Goes Straight to the Ghetto"--not to be confused with, but likely inspired by the James Brown song of the same name--by Dat Nigga D
Sure, walking into a dark barroom on a Tuesday trying to catch a few beers after work doesn't sound like a set up for one of the craziest musical experiences you've ever seen. But last night at the Continental Room proved me wrong and if you were there, you would agree. It was the second time I had seen Detroit-based MPC master Jeremy Ellis (Ubiquity Records) take the stage at this revered Fullerton nightspot. At first glance, a rail thin white dude with long red hair and ADD demeanor definit
Within the genus of funk music, the variety of beastly and beautiful breeds are well documented. But for a type of music that comes in a variety of shapes, sizes and sonic permutations, they all succeed at making you do one simple thing: dance. And as far as our Orange County exposure to funk goes, the Continental Room in Fullerton does it's damnedest.Tomorrow is just another example of that, as the crimson-dipped watering hole brings the legendary latin psychedelic funk band Brownout!