Latin American art has gotten a lot of mileage out of both profaning the sacred and sanctifying the profane. Those impulses are in full force at the Museum of Latin American Art’s (MOLAA) current “Changing the Focus: Latin American Photography 1990-2005.” Santeria is more present than Catholicism (which is parodied mercilessly), and the show’s sole Madonna is a nude about to gut baby Jesus... More >>>