Kevin Martin spent a good decade honing a monolithic amplitude, running the tangents of ragga and dub through granular filters and fractured imagery. As the Bug—plus part of Techno Animal, Ice and God, among many other aliases—Martin pumped buckshot through the sound system, leaving a wake of sputtering cones and corroded perceptions across a couple of dozen sides ranging from free-jazz grindcore to grimy, postapocalyptic hip-hop to... More >>>