Although their status as a guilty pleasure has waned some over the years, Hall & Oates still lug around a rep as artistic lightweights. That's unfair. While not lyrically profound, the Philly duo has forged a durable, often brilliant, career that has thankfully been packaged in the four-CD box set Do What You Want, Be What You Are: The Music of Daryl Hall & John Oates.
Built on a bedrock of blue-eyed soul, post-Beatles pop and, early on, laced with a singer/songwriter aesthetic, Hall & Oates showed a flair for artistic reinvention and resurrection. After flourishing from 1973-'76 ("She's Gone," "Sara Smile," "Rich Girl"), they were left for dead at the end of the decade, then rebounded in the '80s and experienced their commercial apex. Yet this period, spanning 1980's Voices to 1984's Big Bam Boom, exposed an artistic weakness: their tendency (willingness?) to succumb to trendiness, which all these years later lends the music a dated feel.
For instance, many of the monster hits of this period--"Private Eyes," "Adult Education," "Say It Isn't So," "Method of Modern Love," to name a few--featured the prominent thwack of the Linn Drum machine. No other sound says "'80s" more than that, and I'd submit that each of these songs would be better off with a more organic drum track. (They weren't shy about ladling on the synthesizers either.)
If you like this story, consider signing up for our email newsletters.
SHOW ME HOW
You have successfully signed up for your selected newsletter(s) - please keep an eye on your mailbox, we're movin' in!