A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.
Today Denver, tomorrow the Twin Cities.
A country musician rescues Waylon Jennings' tour bus from the scrap heap.
The provocateur who brought you "Piss Christ" pinches off a new concept.
Margot at the Wedding (Paramount)
Margot (Nicole Kidman, or someone who looks just like her) is a fiction writer whose tales are based, uncomfortably and unkindly, on the real-life family for whom she seems to care very little. Hence, sister Pauline's (Jennifer Jason Leigh) late discovery that Margot's a "monster"—late to her, not to the audience, which gets glimpses of her cruelty early and often. Noah Baumbach reunites the siblings in a gray, dreary Hamptons, where Pauline's about to marry sour slacker Malcolm (Jack Black, tamped-down and ill-tempered); Margot has in tow the son she's close to ruining, unless he makes his escape. Sharp, funny, and painful—that's Baumbach's signature of late, and it's writ large in this overlooked dramedy, absent extras except for a chat with the filmmaker and Jason Leigh, worth another glance. (RW)
American Gangster: Unrated Extended Edition(Universal)
Director Ridley Scott's take on the true-life tale of Harlem heroin kingpin Frank Lucas didn't need to be 18 minutes longer; sounds more like a threat than a selling point, though the theatrical take's available here as well. The movie plays in either state like a cross between Superfly(or Scarface) and Munich, with Denzel Washington as the high-livin', mother-lovin' dope dealer and Russell Crowe as the rumpled super-copper, ringleading other officers charged with taking down Lucas and his killer kinfolk. Occasionally thrilling but also TV-show familiar, American Gangster is a flashy procedural as tragic epic—and Scott's damned proud of his accomplishment, down to the detail of the period garb, as evidenced in the lengthy making-of starring the real-life Lucas as his own sorta-repentant self. (RW)
Excellent Cadavers(First Run)
Here in America, the Mafia is dead in both fact and fiction: The Sopranos is finished, and RICO beat the New York boys like a goombah on a snitch. But in Palermo, it's the prosecutors who took the hit, as this poorly made but fascinating documentary illustrates. Covering the brave battles and tragic end of an anti-mob lawyer in Sicily, Excellent Cadavers is grim, full of grainy footage of streets strewn with corpses and interviews with marked men. Bad news is, the film's based on a book and narrated by its author, who reads with all the brio of Laurence Olivier (post-death). A note to journalists and documentary makers: Unless your name is Hunter S. Thompson, you aren't the story. Get out of the way and hire an old British guy to read the narration. (JH)
Our top DVD picks scheduled for release this week: Black Water (Sony); Catacombs (Lionsgate); Chaos (Lionsgate); Cops: 20th Anniversary Edition (Fox); The Death of Adolf Hitler (Koch Vision); The Easter Bunny Is Coming to Town (1977) (Warner Bros.); The Final Inquiry (Fox); Gangsters: The Ultimate Film Collection (Universal); German Expressionism Collection (Kino); In the Valley of Elah (Warner Bros.); It's the Easter Beagle, Charlie Brown (Warner Bros.); Kurt Cobain: About a Son (Shout! Factory); Les Misérables: Two-Disc Collector's Edition (BBC Warner); Michael Clayton (Warner Bros.); Mr. Warmth: The Don Rickles Project (Vivendi); Pierrot le Fou: The Criterion Collection (Criterion); Redacted (Magnolia); Rendition (New Line); Spiral (Anchor Bay); Walker: The Criterion Collection (Criterion).