Deconstructing Liberty: A Destiny Manifested

Deconstructing Liberty: A Destiny Manifested

Betsabee Romero, "Exodus"

Details

Sat., Aug. 5, 10 a.m., Sun., Aug. 6, 10 a.m., Tue., Aug. 8, 10 a.m., Wed., Aug. 9, 10 a.m., Thu., Aug. 10, 10 a.m., Fri., Aug. 11, 10 a.m., Sat., Aug. 12, 10 a.m., Sun., Aug. 13, 10 a.m., Tue., Aug. 15, 10 a.m., Wed., Aug. 16, 10 a.m., Thu., Aug. 17, 10 a.m., Fri., Aug. 18, 10 a.m., Sat., Aug. 19, 10 a.m., Sun., Aug. 20, 10 a.m., Tue., Aug. 22, 10 a.m., Wed., Aug. 23, 10 a.m., Thu., Aug. 24, 10 a.m., Fri., Aug. 25, 10 a.m., Sat., Aug. 26, 10 a.m., Sun., Aug. 27, 10 a.m., Tue., Aug. 29, 10 a.m., Wed., Aug. 30, 10 a.m., Thu., Aug. 31, 10 a.m., Fri., Sept. 1, 10 a.m., Sat., Sept. 2, 10 a.m., Sun., Sept. 3, 10 a.m., Tue., Sept. 5, 10 a.m., Wed., Sept. 6, 10 a.m., Thu., Sept. 7, 10 a.m., Fri., Sept. 8, 10 a.m., Sat., Sept. 9, 10 a.m., Sun., Sept. 10, 10 a.m., Tue., Sept. 12, 10 a.m., Wed., Sept. 13, 10 a.m., Thu., Sept. 14, 10 a.m., Fri., Sept. 15, 10 a.m., Sat., Sept. 16, 10 a.m., Sun., Sept. 17, 10 a.m., Tue., Sept. 19, 10 a.m., Wed., Sept. 20, 10 a.m., Thu., Sept. 21, 10 a.m., Fri., Sept. 22, 10 a.m., Sat., Sept. 23, 10 a.m., Sun., Sept. 24, 10 a.m., Tue., Sept. 26, 10 a.m., Wed., Sept. 27, 10 a.m., Thu., Sept. 28, 10 a.m., Fri., Sept. 29, 10 a.m., Sat., Sept. 30, 10 a.m., Sun., Oct. 1, 10 a.m., Tue., Oct. 3, 10 a.m., Wed., Oct. 4, 10 a.m., Thu., Oct. 5, 10 a.m., Fri., Oct. 6, 10 a.m., Sat., Oct. 7, 10 a.m., Sun., Oct. 8, 10 a.m., Tue., Oct. 10, 10 a.m., Wed., Oct. 11, 10 a.m., Thu., Oct. 12, 10 a.m., Fri., Oct. 13, 10 a.m., Sat., Oct. 14, 10 a.m. and Sun., Oct. 15, 10 a.m. 2017
$10

Location Info:

Muzeo
241 S. Anaheim Blvd.
Anaheim, CA  92805
714-956-8936
The landmark Pacific Standard Time project arrives at Anaheim’s Muzeo with the ambitiously titled show “Deconstructing Liberty: A Destiny Manifested.” In performance, installation, video and photography, artists from the US, Mexico, Central and South America engage a timely theme with wit, humor, play and un-shy political enthusiasm, as Linda Vallejo’s reimagining of iconic figures including Lady Liberty as brown; Chilean artist Eugenia Vargas Pereira’s claustrophobia-inducing net of personal technology or Mexican artist Betsabee Romero’s addition of provocative color to otherwise conflicted space. All offer critiques of globalism and modernism in often startling rearrangement of elements of the everyday which are sometimes mistaken for liberty, or unrecognized as liberation.
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