The Death of the Star Wars Universe

Why millions of fans have felt a great disturbance in the Force

The Death of the Star Wars Universe

Recently, Star Wars fans, along with much of the planet's pop-culture collective, nearly ruptured the Internet in their enthusiasm to share set-building photos from next year's long-awaited new feature film.

Han Solo has a granddaughter?

But these weren't shots of just any set. They depicted the construction of the Millennium Falcon.

You've never heard of the Millennium Falcon? It's the ship that made the Kessel Run in less than 12 parsecs. It's the modified YT-1300 light freighter that rumbled off a Corellian assembly line half a century before being piloted by that space scoundrel Han Solo. It's the same ship he was flying 50 years later, with his granddaughter at his side, following the Second Galactic Civil War.

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See also: Bring Me the Head of Han Solo



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Wait a minute. Corellians? Second Civil War? Han Solo has a granddaughter? There's a lot more known about that hyperdrive-powered hunk of junk than meets the eye in any Star Wars movie. Thank the Star Wars Expanded Universe for that.

The Star Wars Expanded Universe—or the EU, as many fans call it—has been around almost as long as George Lucas' Star Wars itself, which, for the record, turned 37 years old over Memorial Day weekend. While the core Star Wars Universe consists of the six Lucasfilm feature films released between 1977 and 2005, as well as the animated Star Wars: The Clone Wars movie and TV series that followed, the EU includes the characters, creatures, star systems, technologies and, most important, the storytelling in novels, short stories, comics, radio shows, video games, amusement park rides and any other official Star Wars material created over that time.

That same EU fueled a similar Star Wars Internet wildfire at the end of April, one lit by Lucasfilm itself, as the Walt Disney Co. commenced production on the as-yet-untitled Episode VII of the Star Wars films. In a statement on starwars.com, Lucasfilm declared all of the EU creative material as inconsequential and even irrelevant to films yet to come. To be clear, while screenwriters and filmmakers can and may still look back on that material and draw elements of it forward, no creator must adhere to it, and in all likelihood, they won't.

While Luke Skywalker's wife, Han and Leia's three children, tens of thousands of years of Star Wars history before the first Death Star exploded, and about 150 years of adventures afterward—it's all out there, in one form of another—still can be read and enjoyed, no one should expect it to appear onscreen.

The announcement swept pop culture in much the same way as the Force informed Obi-Wan Kenobi of Alderaan's destruction by the Empire: Millions of voices suddenly cried out in terror. It's just that those voices were not suddenly silenced. Almost two months later, many passionate Star Wars fans continue to view the announcement as Disney's "eff you" to the EU, feeling betrayed after they devoted time, attention and, let's face it, money to knowing each detail of the universe beyond the films over the course of three decades.

That material never would have been created in the first place had moviegoers not found the original Star Wars so rich in imaginative detail that begged for elaboration. Force-wielding Jedi Knights and 200-year-old Wookiee co-pilots and howling TIE fighters and rolling, bleeping droids—droids!—proved way too cool to be contained by the screen alone for long.

Consider that for the first 22 years of Star Wars being a thing, movie fans could watch a little more than six hours of storytelling, an amount of screen time surpassed by the Harry Potter films released in fewer than three years and nearly equaled by the first two Lord of the Rings films over just two Decembers. Star Wars fans were hungry for more adventures in that galaxy far, far away, and storytellers delivered—just not with more movies.

Star Wars was only a few months into its theatrical run when the first EU story of Han Solo and Chewbacca hit comic-book racks in issue No. 7 of Marvel Comics' Star Wars (the first six issues had adapted the movie, while the seventh pits the Falcon crew against the cunning space pirate Crimson Jack). That winter, Luke Skywalker, Princess Leia, and the droids C-3PO and R2-D2 faced none other than Darth Vader in the original novel Splinter of the Mind's Eye by Alan Dean Foster. The next year would see a trilogy of Han Solo novels by Brian Daley, who also scripted National Public Radio's dramatizations of all three original Star Wars films, and the EU was born.

And now, it's gone. Kinda.

Genre fans and pop-culture buffs are no strangers to such decanonization, as it were, of previously established facts and events for fictional characters. Comic-book publishers pull apart and smash together their internal universes with regularity these days. Star Trek fans have been seeing the TV adventures of Captain Kirk and the U.S.S. Enterprise crew re-imagined in Episode VII director J.J. Abrams' feature films for the past five years (even though those films are regarded as occurring in a new time line that protects the nearly 50 years of onscreen Star Trek as still "existing"). Even fans of the primetime TV have witnessed the events of episodes getting swept out of mind as not actually happening to the characters. The 1985-86 season of Dallas, its ninth, became regarded as Pam Ewing's dream by the start of the 10th season, effectively returning Bobby Ewing from the dead. Series finales of shows such as Roseanne, St. Elsewhere and Newhart left viewers wondering whether anything in the series had happened at all. (Oh: Spoiler alert.)

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12 comments
Alexander Wisniewski
Alexander Wisniewski

This happened back in April and you just now have a story about it? You guys are really on top of things over there.

Nathan Odette
Nathan Odette

Thrawn trilogy of novels will always be the true episodes 7,8, and 9 in my eyes.

Art Pedroza
Art Pedroza

Everyone who bought a Star Wars novel should get a refund.

Victor Salas
Victor Salas

Uhh, can you blame Disney!? 1st off, do you really think they want to share creative rights with other people who had no part in Lucas' original story!? And 2nd, it's better this way. It's win-win on both sides. For the writers, it's freedom to take the story anywhere, without the limitations of any history except the time line of episodes 1 - 6. For the extended U, if the next trilogy sucks -which I'm thinking it will, only because SW freaks will never be satisfied, and will always complain about one thing or another- fans will always have the luxury to swap histories, seeing as how Disney decided to simply call it an "alternate" timeline, rather than destroying it completely, the way like Lucas did, to free the animated Clone Wars show for the writers.

brownout
brownout

The EU isn't being rounded up and burned. If you enjoy those stories, they're still there. I personally haven't been able to keep up with the huge amount of material there is out there, and I'm glad the writers aren't going to be constantly stumbling over conflicts between their ideas and currently existing material. Lucas has always said you can consider the EU canon until it's contradicted by a movie or other media from LucasArts. If these movies don't measure up, then reread your books. If they do, then you've got a little more material to enjoy.

Daniel Okada
Daniel Okada

Me no care-y. Just deal with it and enjoy the new films.

Marc Plainguet
Marc Plainguet

A cast study in making a big point out of nothing.

downtownbrown
downtownbrown

SW ruined movies forever by making the special effects more important than the story.

deecomm46
deecomm46

Well, boo-hoo. As an s-f fan myself, I understand how aficionados--especially those who love a "universe" so much they create their own stories about it--can develop a sense of ownership, or at least partnership. Creatively and legally, however, it would be nearly impossible to include those works, no matter how good or accepted by the fan base at large. Acquiring the rights from each writer who developed a plot point would be difficult enough, but the probable flood of lawsuits could effectively kill any further Star Wars projects. The film industry is a business. No matter how entitled super-fans feel to build on the work of Lucas et al., it is illogical to expect their ideas to be considered anything but fan-fic.

 

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