By AMY NICHOLSON
By ALAN SCHERSTUHL
By CAROLINA DEL BUSTO
By AMY NICHOLSON
By STEPHANIE ZACHAREK
By R. Scott Moxley
As dramatized in The Social Network, the story of Facebook’s founding is not unlike that of any large corporation—megalomania rewarded, sweethearts trampled, partners buggered. Zuckerberg’s real achievement, however, was something more mysterious than a 21st-century MGM or Standard Oil; he manufactured intimacy through the creation of a parallel, personalized Internet offering an ongoing second life in a virtual gated community. True to its moment, The Social Network is less interested in mapping this new system of human interaction than psychoanalyzing it through its quintessential user: Zuckerberg.
Like any form of entertainment, Facebook succeeds to the degree in which it compensates people for something missing in their lives—a lost sense of neighborhood or extended family or workplace solidarity. The key insight in The Social Network is that Zuckerberg—not particularly friendly and not at all prone to sharing—created his virtual community for the same reason Kafka’s self-starved Hunger Artist found his métier: because there was never any food he liked to eat.
The Social Network was directed by David Fincher; written by Aaron Sorkin, based on the book by Ben Mezrich; and stars Jesse Eisenberg, Andrew Garfield, Armie Hammer, Rooney Mara and Justin Timberlake. Rated PG-13. Countywide.
This review appeared in print as "Who Needs Friends? David Fincher commented on Mark Zuckerberg’s status. WithThe Social Network, he invites you to join him."
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