By Sarah Bennett
By Adam Lovinus
By Jena Ardell
By Nate Jackson
By Gustavo Arellano
By Nick Keppler
By Nate Jackson
By Alex Distefano
Another source of entertainment was a bizarre series of recordings made by a mental patient named Raleigh Theodore Sakers that had somehow fallen into the hands of the band and are included on Robbin’ the Hood. According to Wilson, the band once blasted at full volume one of Saker’s saltier treatises—perhaps the one on oral sex, aliens and “semantic blockage”—at a concert in a Palo Alto park.
“It was a Sunday,” Wilson says. “There were all these families playing soccer out on fields. It took some balls just for us to put it on, so we drank a bunch of alcohol, and we cranked the Raleigh tape through the PA and had all these irate dads who wanted to beat our asses. People called the cops, so it was a real nightmare. We loved it.”
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For Nowell, however, the real nightmare was his losing struggle with heroin. Gibson discovered her stepbrother’s addiction when she noticed that some of her CDs were missing from her room. When she was younger, Nowell had forced her to get rid of all her “crappy” New Kids On the Block music in favor of Bob Marley and other “obscure” reggae artists. “But now my music didn’t suck, so I went to his room to see if my CDs were there. And that’s when I found needles.”
She didn’t tell her parents, but they found out soon enough, perhaps clued in by Nowell’s weight loss and that he seemed strung out and incoherent, nodding off mid-conversation. They forced Nowell into rehab; when that failed, and when more property went missing, they kicked him out of the house. He began crashing at various Long Beach and Orange County flophouses with Happoldt and other friends.
Katon W. De Pena, now a vocalist with the speed-metal band Hirax, used to work at ZED Records, a popular punk-rock and underground music store. The store’s hottest-selling CD in the early 1990s, he recalls, was 40 Oz. to Freedom. One day, Happoldt showed up with a pre-ordered box of CDs for the store. A few hours later, Nowell arrived at the store looking disoriented. Nowell begged De Pena to purchase 100 more discs, which he refused to do.
“It’s something I’ll never forget as long as I live,” De Pena recalls. “He got really frustrated. Finally, he didn’t know what else to do, and he backed up from the counter and started singing this song at the top of his lungs a capella, and it was the coolest dub reggae song, except he was singing it all pissed-off and aggro.” As a crowd of onlookers watched in silence, Nowell turned around and walked out of the store, leaving the pile of CDs on the counter. “It was amazing to witness,” he says. “At this point, I could see there were some problems.”
Among other things, Nowell was depressed that after releasing two CDs, Sublime still couldn’t get signed by a major label. Just when it seemed Sublime’s musical career had dead-ended, however, the band were signed by Gasoline Alley, an MCA Records imprint owned by Rod Stewart’s manager, Randy Phillips. In March 1994, another stroke of fortune occurred when Sublime received an invitation to perform an hour-long session at the studios of KUCI-FM, the UC Irvine radio station. The show’s host, Tazy Phyllipz, a ska enthusiast and KROQ programming assistant who learned about Sublime from his friends in No Doubt, included two tracks from that performance on his inaugural Ska Parade compilation CD.
“That was one of their greatest live sessions ever,” Phyllipz says. “A lot of it had to do with the fact that it was too early in the afternoon to party, so they focused on the music.” Thanks to Phyllipz, the Sublime songs “Dub Medley” and “Date Rape” made their way to KROQ, where the station put the latter on the air during a broadcast of Jed’s Catch of the Day, hosted by Jed “The Fish” Gould.
“It lit up the phone lines like crazy,” Phyllipz says. As fans continued to demand “Date Rape,” Gould invited Sublime onto his show; the band showed up drunk and made repeated runs to a nearby men’s bathroom, where they pounded beer after beer. The band also brought a few joints into the studio, resulting in them being banned for two weeks. The stunt did little to diminish Sublime’s popularity: “Date Rape” went on to become one of the most-requested songs in KROQ history.
By now, Nowell had been arrested for drunk driving several times and had been in and out of rehab for years. His friend Dave Shea volunteered to drive Nowell and the band in his van to various gigs up and down the coast from San Diego to Arcata. Under the watchful eyes of his friends, Nowell would slowly emerge from his heroin-induced stupor during the long drives.