By AIMEE MURILLO
By STEPHANIE ZACHAREK
By MATT COKER
By AIMEE MURILLO
By AMY NICHOLSON
By JONATHAN KIEFER
By INKOO KANG
Crazy Heart is a promising first feature for Cooper (himself an actor), but Bridges enlarges, in every sense, the movie’s familiar territory of self-destructive celebrity. “When he’s onstage, that’s his home. That’s a typical thing with performers like that: Once they get to success, they start to abuse themselves,” says Bridges, who spends a lot of time around musicians, all of whom he fondly calls his dear friends. (Cooper had originally wanted to base the movie on the life of Merle Haggard, says Bridges. “But Merle had been married five or six times, so it was hard to get the rights through all his wives.”) Wading with his usual abandon and an exposed big gut into the defiant self-immolation of Bad Blake, Bridges makes room for an open destiny for this mumbling wreck of a man, craning his neck forward as if interrogating the world for whatever crumbs of insight or salvation it might spare him.
Bridges comes from Hollywood royalty. His father, Lloyd, who starred in the television series Sea Hunt, and his brother Beau, eight years older than Jeff (they played lounge singers together opposite Michelle Pfeiffer in The Fabulous Baker Boys), both encouraged and shaped him. But he’s always lived in the shadow of nepotism, which may account for his chronic ambivalence, as well as explain why his career has skittered between big studio movies and small indies. It says a lot about the actor that his all-time favorite movie is Citizen Kane (about another flawed giant) but his current favorite is Once, a romantic Irish indie from a few years back whose music all but takes the place of dialogue.
As the ’00s come to a close, Bridges wonders whether it has always been this hard “for an old guy to get a job” in the industry. Yet he will follow in John Wayne’s footsteps as the iconic Rooster Cogburn in the Coen Brothers’ remake of True Grit, scheduled for release in 2011, and he’s in post-production on a sequel to the 1982 sci-fi thriller Tron. About the Oscar buzz, he says modestly, “Any time you get acknowledged by the guys who do what you do, that’s pretty good, right?”
Mostly, though, Bridges comes off as a man slightly bewildered by his own good fortune. “I have my favorite possession in my pocket,” he says, pulling out a dog-eared old photo of a lovely young woman. Her name is Susan Geston, and she was working her way through college as a maid near the Montana set where Bridges was shooting Rancho Deluxe in 1974. In the photo, which someone who worked on the set sent him a few years ago, she’s smiling, but, Bridges explains, she was turning down his request for a date. They’ve been married for 35 years.
Crazy Heart is currently playing in select theaters. Read our review, “Misery and Gin” (Dec. 17).
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