Top

music

Stories

 

[Locals Only] Playing the Lyrics Game

Lyrically Speaking

The Lyrics Game are loud and proud
The Lyrics Game are loud and proud

Related Content

More About

Like this Story?

Sign up for the Music Newsletter: Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy

Calling your band “the Lyrics Game” opens you up to certain scrutiny. The name actually comes from the somewhat-universal time killer of music fans quizzing one another to identify songs by their words, but it still suggests—fairly or not—that the Long Beach/Cypress group think their lyrics are somehow memorable. Let’s take a look . . .

On “Touch,” the opener of their five-song EP Home Edition (released in January), singer Brittany Walker begins with a tale of “waiting at a crowded station.” The next song, “Mexico,” details “driving to Mexico.” (Clearly the Lyrics Game had transportation on their minds when writing the record.) When listening closely, it’s apparent the band take their lyrics seriously: “Touch” does a good job of conjuring images of a creepy dude stalking his prey in said crowded station (“reach out and touch her nightmare/she’s starting to get nervous”); “Mexico” reveals that drive to be considerably more somber than a party bus to Tijuana (“distance between us is growing”). These words are more concerned with telling a story directly than clouding messages in metaphor, even if it sometimes comes out a bit obvious. (Another “Mexico” lyric: “With your leaving, I’m here without you.” Well, yeah.)

Walker and guitarist Dan Howe have been writing music together for seven years, but the band as a whole (rounded out by cellist Chris McCarthy, bassist Matt Carranza and drummer Brandon Morrison) have only been together since 2007. Adding a cello to a rock band is always an interesting choice (see Cursive, Murder By Death), though it’s not highlighted much on Home Edition—live is likely a different story. The sprawling “Pyramid” is the record’s standout track, both musically and lyrically, with Walker turning unapologetically self-referential: “I know that it’s wrong to write and sing this song.”

The Lyrics Game with Marcia Ford, Don’t Touch That, Mirror Mirror and Heavenly Led at diPiazza’s, 5205 E. Pacific Coast Hwy., Long Beach, (562) 498-2461; www.dipiazzas.com. Sat., 7:30 p.m. $8. The Lyrics Game can be found online at www.myspace.com/thelyricsgame.

Hey, Orange County/Long Beach musicians and bands! Mail your music, contact info, high-res photos and upcoming show dates for possible review to: Locals Only, OC Weekly, 2975 Red Hill Ave., Ste 150, Costa Mesa, CA 92626. Or e-mail your link to aching@ocweekly.com.

 
  • Jon 08/27/2009 4:21:00 AM

    Great review of the Lyrics Game. Ive seen them play a few times and they are deffently a great band to see live.

  • Dan Howe 08/14/2009 4:37:00 AM

    Wrong picture methinks.

 

Most Popular Stories

Find a Concert

Browse Voice Nation
  • Voice Places

    Voice Places

    Discover restaurants, nightlife, travel, shopping...

  • VOICE Daily Deals

    VOICE Daily Deals

    Get 50 to 90% off every day on restaurants, movies, massages...

  • Best Of

    Best Of...

    More than 10,000 of the BEST things to eat, drink, and experience

  • My Voice Nation

    My Voice Nation

    Join the Village Voice community and get exclusive deals and info

  • Happy Hour

    Happy Hour

    Your local Happy Hour guide at your fingertips

or

Log in or Sign up

Social Connect:

Use your favorite account to access My Voice Nation.


Use your My Voice Nation account to log in:





Forgot password?
or

Sign Up or Log in

Social Connect:

Sign up for My Voice Nation with your preferred network.


Sign up for a My Voice Nation account:



Privacy policy