Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Be Social

  • rss

Live and Let Die

Bay Theater

By Julian Williamson

Published on July 23, 2009 at 2:40am

If you’re accustomed to the fast-paced, big-explosion, modern-day James Bond, then 1973’s Live and Let Die may seem a trifle odd—possibly even comical. The fight scenes are clunky and his then-high-tech gadgets make the iPhone seem like a supercomputer. But the film’s still infused with that classic 007 allure and chockfull of all the great trademarks: readily disposable henchmen, lengthy chase scenes, overly elaborate and inane methods to kill Bond—and him nailing every female who walks into frame. Plus, copious amounts of Jane Seymour’s 20-something-year-old cleavage throughout the movie. Add Paul McCartney’s title soundtrack hit and Roger Moore’s fluid suaveness, and this movie oozes lasting appeal.
Mon., July 27, 8 p.m., 2009