Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Orange County's most popular hot spots.
user content provided by: LikeMe.net & OC Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Be Social

  • rss

[CD Review] Ace Enders, 'When I Hit the Ground' (Drive-Thru/Vagrant)

By Doug Wallen

Published on April 15, 2009 at 2:02pm

It’s hard to pinpoint exactly when heart-on-sleeve pleading and scrubbed-clean choruses became the choice means of musical expression for youthful, would-be punks, but the result feels like a whole generation raised on artificial, mass-market rebellion. Don’t get me wrong: Ace Enders has two beloved bands under his belt (the Early November and I Can Make a Mess Like Nobody’s Business), and for a clean-cut dude who looks like Michael Cera, he can certainly belt out anthems. But this solo record is a 14-track jukebox of drippy, emo crowd-pleasing.

Warming up with “Reintroduction,” he’s already pairing throaty emoting with aching sensitivity (“And now I surrender to you, my love”). Then comes the more upbeat, ’80s-influenced “Take the Money and Run,” and after it, the weepy and acoustic “New Guitar.” The lead single “The Only Thing I Have (The Sign)” sounds disturbingly similar to Nada Surf’s “Happy Kid,” and the title track is another predictable piano ballad-turned-rocker.

At its worst, When I Hit the Ground makes such overtures to the mainstream that it’s hard to believe it was released by two indie labels once respected for their influential punk output. “Emergency” could easily double as Enders’ American Idol audition, and “Leader” is straight Coldplay. At least the New Wave-y “SOS” tempers its sappy premise with a light musical touch and a bumper-sticker refrain (“SOS to loneliness”). But that’s a rare moment of levity on a heavy-handed album that tries to win over everyone to the point of losing its identity.