[CD Review] Isobel Campbell & Mark Lanegan, 'Sunday at Devil Dirt' (Vagrant)

What Sunday at Devil Dirt isn’t is anything like the bands that former Screaming Trees front man Lanegan and ex-Belle & Sebastian cellist/backing vocalist Campbell are primarily known for. Instead of psychedelic grunge or whimsical pop, it’s a collection of slow, often dark, Leonard Cohen-esque folk songs. As with their first effort, 2006’s Ballad of the Broken Seas, Campbell writes most of the songs while Lanegan does the heavy vocal lifting. But they’re a duo for a reason, and the best songs on the album are the ones in which the two work closely in tandem, like the menacingly seductive lead single “Come On Over, Turn Me On” and “Who Built the Road,” in which they trade off verses and join forces for the chorus. Too many tracks sound more like Mark Lanegan “featuring” Isobel Campbell, such as “The Flame That Burns,” a fair but ultimately hollow Tom Waits soundalike. The lyrics match the music well, fitting in perfectly with the bygone era Campbell and Lanegan successfully evoke, but it lacks genuine emotional depth, alternating between the manufactured moodiness of “The Raven” and the saccharine wistfulness of album closer “Sally Don’t You Cry.”

Related Content

• Bourbon Jones
  December 29, 2011
• Top Five Hits: Fingerprints in Long Beach
  November 11, 2011
• Tom Waits Open Mic Night
  October 20, 2011
• Dennis Robicheau's Five Most Formative Recordings
  January 13, 2012
• Tom Waits to Publish Book of Poetry
  January 14, 2011

More About

• Mark Lanegan
• Isobel Campbell
• Belle and Sebastian
• Tom Waits
• Rachel Maddow

Like this Story?

Sign up for the Music Newsletter: Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy Cancel Continue

Despite some lovely arrangements and commanding performances from both singers throughout, it’s not much more than a well-executed pastiche of a timeless style—highly listenable, but not entirely memorable.