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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

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Sharp Men

The Black Keys

By MICHAEL COYLE

Published on August 21, 2008 at 2:41am

The Black Keys are a two-piece that rip heavy electric blues with a dense boogie that reverbs into the hardest to reach parts of the soul. At his best, guitarist/singer Dan Auerbach belts out the sound of unrequited lust. But there’s an underlying vibrance to the band’s wails, one that made it seem natural for them to be working on their newest album, Attack and Release, with legend Ike Turner before his death. The songs left over from that project were handled by producer Danger Mouse (of Gnarls Barkley fame) and the result is the sound of the blues being nudged into new realms.
Mon., Aug. 25, 8 p.m., 2008