By Matt Coker
By R. Scott Moxley
By Charles Lam
By Nick Schou
By Gustavo Arellano
By Gustavo Arellano
By Steve Lowery
By R. Scott Moxley
Letters may be edited for clarity and length. E-mail to email@example.com, or send to Letters to the Editor, c/o OC Weekly, 1666 N. Main St., Ste. 500, Santa Ana, CA 92701. Or fax to (714) 550-5908.
I used your article as the basis for a paper on alternative dispute resolution for my Business Law class. I decided to approach it from the perspective of people taking advantage of the desire of businesses to avoid costly litigation. Your article clearly reflects your repudiation of David Gunther and [his lawyer] Morse Mehrban's tactics, and I applaud you for this. I read that Gunther has suffered some legal setbacks since October 2006. Hopefully, stories like yours will serve as an impetus to continued legal change in this area.
GOD HELP THE OUTCASTS
The following letters concern Gustavo Arellano's March 29 "interview" with Mickey Mouse, "The Ratón that Roared," on Disney's battle with the city of Anaheim over control of property immediately surrounding Disneyland.
So who wants to spend good money traveling to Disneyland and have to look at your people?
This article is CRAP. This interview never happened, and falsifying information in that way is wrong for so many reasons. Mickey Mouse is a household name. It's like slandering Jesus; you just don't do it. I love your magazine, but this really pissed me off. I hope Disney sues. I feel you should write a retractment [sic] statement and make things right.
I am writing you to air out my disappointment in your recent front-page illustration of "Blind Spot" and inmate John Chamberlain. The front-page art of this article clearly depicts a bloody white man with two distinctly obvious Mexican inmates in the background. In reading the article, it stated it was several white men who beat John to death. So why then do you have two Mexicans as the apparent assailants on the front cover? This is clearly a misleading front page and is just adding to a stereotypical belief that violent inmates are only of Latino and African-American ethnicity.
Editor's note: As the preceding letter correctly states, Matt Bors' cover illustration did not accurately depict the account of John Chamberlain's death described in Nick Schou's story. The illustrator and the Weekly regret the error.
Sounds like everyday shit to me. It's much worse in West Virginia. I've seen guards put them in a three-piece and blast their heads on the block walls until they're worn out; then they take a break and do it again. And once you're in the system, you have no human rights. . . . I've seen them not give meds just to watch all the fun things that happen. Welcome to the U.S.: guilty till and even after proven innocent.
Dr. Stephen E. Capps
I have been there in the main jail, and it's routine. Some deputies actually hold court and let the other inmates know not to hit in the face and only on the body. Orders are always given out by deputies. They have the inmates fucking scared to death—the inmates have the other inmates to deal with along with the fucking deputies.
Thank you for the graphic account of the modus operandi at the OC Theo Lacy Jail. What can we do about this? At least readers will get a picture of what to expect in this detention facility for NONVIOLENT detainees. Tell me how I can help pressure for justice and sanity.
My mom liked Eric Clapton. Enough said.
The following letter is in regards to Matt Coker's March 29 review ofBigger, Dirtier and Uncut: Trailer Park Boys the Movie.
A few months back, Netflix suggested I might also enjoy The Trailer Park Boys Season 1. After taking the bait, I was hooked. My husband and I have since enjoyed every season of this crude, rude, charming, disarming series. The plot lines are all pretty similar, yet we laugh every time. The writing is funny, sometimes touching. A tip of the hat to the rest of the cast who play their stereotypical parts with dead-on accuracy and originality. Thanks for bringing some attention to one of the funniest things I've seen in ages.
THE JOURNEY CONTINUES
The review of Ham Tran's Journey From the Fall [Scott Foundas, "New Reviews," March 23] is full of ignorance about the ordeal of many Vietnamese. Movies about Martin Luther King Jr. or Richard Nixon would not change their historical speeches or words. Moreover, critics would not call such movies old-fashioned or, worse, phony. As a result, Ham Tran's real depiction of the Vietnamese should not be derided in such a manner. He uses the actual words etched into prisoners' minds in the re-education camps. They are real, and they are painful. They are not fake, scripted "declamatory political dialogue," as Scott Foundas states.