Top

music

Stories

 

Album Review

Julie Doiron, Woke Myself Up (Jagjagawar)

Courtesy Jagjagawar
Courtesy Jagjagawar

Related Content

More About

Like this Story?

Sign up for the Music Newsletter: Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy

"Untitled"—the last song on Julie Doiron's new release, Woke Myself Up—employs the exact same instrumentation as when I saw Doiron play live two years ago: vocals and electric guitar, nothing more. She could've played "Untitled" that night, but I wouldn't remember; nothing stood out about her set. The song is nice to listen to only in the sense that it brings back personal aesthetics: memories of seeing the show, the people I went with, the room she played in. It's sad to say, but I don't know if anything else other than kitschy autobiographical memories could get me to listen to this album and really enjoy it.

Doiron has a long-running history with Eric's Trip, a brilliant but mostly defunct Canadian four-piece. The band was great mostly thanks to main songwriter (and Doiron's former boyfriend) Rick White and his creative production techniques—"lo-fi," if you have to call it something. As a result, I was shocked (shocked!) to find out that White had produced and played (along with the rest of Eric's Trip) on almost all of Woke Myself Up. It seems that the album gave White a chance to show how flexible he can be when it comes to producing records—or maybe he didn't involve himself that much? I wonder only because the record, at times, comes nervously close to being adult alternative (see: Jewel, Norah Jones, but with less of a budget).

Bands with this kind of production and tone work usually because the songwriting is superb, and so it is that only two songs are able to execute it: "Dark Horse" and "You Look So Alive." "Dark Horse" exemplifies her songwriting at its best—she sings "I'm writing you from Montreal/to tell you that I don't belong here/I'm writing you from Montreal/bye-bye" over a classic but consistent folk backbeat. Her cadence and lyricism demonstrate either a result of painstaking craftsmanship on her part or a happy accident. I'm rooting for the former, because it means that a great album by Doiron is only a matter of effort, not luck.  

 
 

Most Popular Stories

Find a Concert

Browse Voice Nation
  • Voice Places

    Voice Places

    Discover restaurants, nightlife, travel, shopping...

  • VOICE Daily Deals

    VOICE Daily Deals

    Get 50 to 90% off every day on restaurants, movies, massages...

  • Best Of

    Best Of...

    More than 10,000 of the BEST things to eat, drink, and experience

  • My Voice Nation

    My Voice Nation

    Join the Village Voice community and get exclusive deals and info

  • Happy Hour

    Happy Hour

    Your local Happy Hour guide at your fingertips

or

Log in or Sign up

Social Connect:

Use your favorite account to access My Voice Nation.


Use your My Voice Nation account to log in:





Forgot password?
or

Sign Up or Log in

Social Connect:

Sign up for My Voice Nation with your preferred network.


Sign up for a My Voice Nation account:



Privacy policy