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Flying Saucer AttackGuitar Wolf leaves homeCHRIS ZIEGLERPublished on March 10, 2005Courtesy Narnack RecordsThe novelty of Japanese bands—The Orange County Registerarticles notwithstanding, and related omissions of Teengenerate seriously unforgivable—should have dropped away years ago; Japanese hardcore and rock & roll bands are so unremarkable in the U.S. now that they can play Taco Beach on a Friday night and only get 40 indifferent people just like the locals do—ah, music really is a universal experience! But, but, but Guitar Wolf still gets to strut around at the top of the pile; it's a pack seniority thing. It's never really been the songs themselves with these guys—the Guitar Wolf sound is confined to the infinities between needle atthe red and needle inthe red, and when they need a breather, they cover Link Wray's "Rumble," usually about every other album. Instead, it's the work ethic. Guitar Wolf puts on a SHOW; they are absolutely, almost uncomfortably and desperately determined to rock—the legend goes that Guitar Wolf himself (not Bass Wolf or Drum Wolf) once deliriously leapt off a 20-foot-stage, cracked his leg bones, let the crowd pass him back to his guitar and—of course—finished the set. That's one of those things that's true even if it's a lie: "We've never collapsed," Guitar Wolf told a San Francisco webzine. "But it's quite hard to stay conscious."
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