Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Reader's Picks

Top Recommendations

A short list of Orange County's most popular hot spots.
user content provided by: LikeMe.net & OC Weekly

National Features >

  • LA Weekly

    No Future

    How two veterans of L.A.'s seminal punk scene wound up on a collision course ending in death.

    By Paul Cullum

  • Miami New Times

    Dwyane's Disaster

    The Miami Heat superstar sure picked an airball for a business partner.

    By Gus Garcia-Roberts

  • Houston Press

    The Hostage

    Larry Plake went to work on an oil barge and ended up held for ransom in the Nigerian jungle.

    By Chris Vogel

  • Riverfront Times

    Extreme Makeover: All-Star Edition

    St. Louis is cleaning house for baseball's mid-summer classic. But is it too late?

    By Keegan Hamilton

Be Social

  • rss

La Resistencia

Gustavo Arellano

Published on September 25, 2003

LA RESISTENCIA
Eh-Pe
Eclectica Records

Eh-Pe, the debut of Los Angeles skankers La Resistencia, roars with the noise native to young Latinos exiled in the nether cities between Los Angeles and Orange County—chugging, ruthless, socially conscious punk-inflected ska that paints a life landscape as bleak as Cudahy. The nonet rumble through the EP's six songs, each an urgent musical manifesto pulsing with taunting call-and-response horns, scuzz-bucket drums, trembling cymbals, and churning wacka-wacka guitars that sometimes scream with distortion. Whether warning against the rapists among us ("Carlos el Violador"), decrying racism against Latinos in "Madre Patria" or wailing against a broken love, Eh-Pe's charges are so relentless you half-expect a mosh pit to spill from the speakers and give you a good kick in the head. The slower tracks seethe with joy: the Huggy Boy-smokes-ganja kickback jam "Domingo 7" is the "Get a Job" for our post-industrial age, its protagonist complaining about the need for money and a job in order to impress a girl. Such real-life difficulties become painfully real courtesy of lead singer Luís' pushy, mocking voice; he clips his yowls with the snap of a Chicano studies major. You'll find the most effective use of that style on "Odio," by turns a violent, languid bass-driven rant against adults who ignore the kids around them. After listening to Eh-Pe, you won't know whether to pump your arms and dance or actually do something to save the world.