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    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

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    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

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New Music

Kristin Fiore

Published on August 16, 2001

CLEM SNIDE
THE GHOST OF FASHION
SPINART

The indie brigades have been marinating in their own overdeveloped sense of irony for about a decade now, and Clem Snide can smirk with the best of them. Just when you think crooner Eef Barzelay is waxing sentimental, he throws in a barb that's sharp enough to cut the Crystal Cathedral's glass. But when such sarcasm is balanced by keyboard- and string-laced blue-collar lullabies (not to mention euphonium and flute), the effect is irresistible: tales of out-of-hand pillow fights dripping over banjo licks; a scathing blow-off sung a cappella over thick record crackles; a fuzzed-out religious epic starring Corey Feldman (bravely titled "Junky Jews"). "Joan Jett of Arc" is a surprisingly tender ode to a first love, and when Barzelay coos, "She fixed me a dinner of sunflower seeds and Ready-Whip topping inhalers," you don't bat a lash. The Ghost of Fashion and the warped world it encompasses are both bruised and beautiful, sneering and strangely sincere. (Kristin Fiore)