By Sarah Bennett
By Adam Lovinus
By Jena Ardell
By Nate Jackson
By Gustavo Arellano
By Nick Keppler
By Nate Jackson
By Alex Distefano
"Darn!" I yelled back, gagging. And that, if you must know, is why we were late arriving at Bamboo Terrace, having missed Lo-Fi Champion, who were dressed as Jehovah's Witnesses. I mean, they weren't really, but I defy you to tell the difference between the band members, who looked jaunty in white shirts and narrow blue ties, and Soldiers of Christ, who also look jaunty in white shirts and narrow blue ties.
My Weak-Stomached Pal (who has forbidden me to use his name, which is weird to me since he was more than ready to show me the contents of his colon; whence springs this sudden coyness?) and I got there in time to see an entire set by Goldenboy. The three-piece Diamond Bar band features the excellent Shon Sullivan (nicknamed "Goldenboy"), who plays cello, guitar and piano in Elliot Smith's touring band, on vocals, guitar and keys. Before he got the Smith gig, he played in a melodic psychedelic-ish band I used to really like called Moonwash. Before that he played in melodic psych-edelic-ish band Moonwash Symphony, who performed at my college, so as far as I'm concerned, Sullivan and I go way back. We're practically family. I think he felt the same way, after I reminded him who I was.
Goldenboy began to play one of their plaintive melodic numbers, made more soothing, plaintive and melodic by Sullivan's gentle baritone. Actually, I'm not sure he's a baritone, and sometimes he sings in a falsetto, but it's all quite soft and syrupy in a good singer-songwriter way. He should do lullabies!
"They're really soothing," remarked Captain Indigestion. "I think I'm beginning to feel better." At this point it gets confusing because I think I said, "Yeah, they make music for your butt," but Captain Indigestion claims Roberto from Lo-Fi Champion said it and Roberto claims the Captain said it, which is stupid because I'm the one who said it. Regardless, I got all sorts of grief for the rest of the night from Baron Von Light-A-Match-Please for, according to him, trying to take credit for someone else's phrase. Bite me, Toilet Boy!
Three songs in, Sullivan put down his guitar and began playing electric piano on a song called "Baby Doll," which, at the beginning, sounds a tiny bit like the theme song from Cheers, which I actually, at the time, said, but Roberto and Toilet Duck probably want to take credit for that one, too.
At some point, Goldenboy played "Savior Pill," a Moonwash song I remember from their album, which I used to own although I can't find it or remember what it was called, but I was overjoyed to hear the song as, for a time, it made me forget my troubles with the Duke of Crappy Pants, so for that, I'm eternally grateful. (Alison M. Rosen)